Midnight Colours Exhibition 

On the 13th of June, I participated in a local exhibition curated by Esme Murray. All of the work I entered I had actually created two/three years ago during my art A-level; I wasn’t expecting them to see the light of day again! However it was a rewarding experience as a first exhibition, and it was interesting to see what visitors had to say about my work. Common themes in the comments made on my work included the chaotic-yet-flowing composition, and the medium with which they were created. 

Display ideas

Originally, I was interested in displaying my sculpture on the floor amongst visible signs of decay, in order to add to the aesthetic and atmosphere of the piece. I was influenced by images I found of the decomposition stains humans and animals leave on the floor when they die. The idea was to create a decomposition stain for the creature to whom the hand belonged.

However, I  decided against this, as one of the main concepts behind the creature was that it was impossible and incomprehensible, with no set shape. How would I create a stain to fit the shape of a creature that has no shape?

I then thought about how contrast would affect the aesthetic. The sculpture itself is solid, matte, and black. Therefore, the opposite of that woud be a puddle white liquid of some sort. I enjoyed the idea that this would make the sculpture look somewhat sickly and vaguely more unnerving. The audience could interpret the fluid to be either blood, milk, some sort of spilt preservative (possibly similar to that used by Damien Hirst). Something either biological or medical.
I order to execute this, I plan to whisk a small amount of white oil paint into vegetable oil. This will mean that the puddle will not dry out for a significant amount of time.